Maya cinema play6/24/2023 Your characters have often gone through a change that is more or less radical, and every time, we expect them to adjust to those changes in a certain way. Seventh Row (7R): Watching Maya helped me understand a theme that I think runs through several of your films. She told me about her interest in people who stay in the shadows, her motivations behind choosing locations, the way she works with her actors, and much more. Though I wasn’t a fan of her latest film, Maya, it led to a great conversation with Hansen-Løve about the impulses that animate her filmmaking more generally. Whether that is enough to make us feel for Gabriel is another matter. In our interview, Hansen-Løve explains that she doesn’t judge her characters, and it is true that they all have their reasons for doing the things they do. One could perceive his objectionable relationship with the eponymous Maya (Aarshi Banerjee), an eighteen-year-old local girl, as a symptom of that pain. The beauty of the country, the vast expanses of forests, and the small villages where nobody knows who he is, seem to do him good - though just how he is hurting remains almost a complete mystery. A French war reporter who just spent months in Syria as a hostage, the now freed man refuses to simply stay at home, and goes on a solo trip to India. Here, however, this process of empathy meets a more difficult obstacle in the lead, Gabriel (Roman Kolinka, who also starred in Things to Come). The same is true in Maya, Hansen-Løve’s latest film. The director thus brings us to understand and empathise with her characters with subtlety and honesty, never resorting to emotional manipulation of any kind and never forcing our tears. But as Hansen-Løve follows them, their everyday gestures, habits, and decisions gradually paint, with small touches, a picture of who they are - of their pain, but also of their strength. Typically shy and reserved, they’d be the last to talk about themselves, and they are often going through some kind of traumatic change. Few signs are there to tell us who the characters are, what they want, or where they are going. Roman Kolinka and Aarshi Banerjee in Mia Hansen-Løve’s new film MayaĪt first glance, the films of Mia Hansen-Løve appear open to an almost frightening degree, with very little to guide us. ![]() The film premiered at TIFF, where we talked to Hansen-Løve, and is screening at Rendez-Vous with French Cinema in NYC. Now I just need to see if Rudolph will be in any of the new 2021 movies - there's only so much time left in the year.Mia Hansen-Løve tells us about her new film, Maya, her interest in people who stay in the shadows, her motivations behind choosing locations, the way she works with her actors, and much more. Whether you want to smile, laugh, or watch some really awesome action scenes, all of her best projects have you covered. ![]() I’m sure that this list will only grow as Maya Rudolph continues to shine in her amazing movies and TV appearances, and maybe even pop up in some new 2022 movies.īut, until that does happen, these are some of her best. However, I have to give credit where credit is due, because the show does have some great themes and stories about learning to embrace who you really are, paired with an excellent voice cast that features stars like Maya Rudolph, John Mulaney, Fred Armisen, and more. To be frank, I’ve never been the hugest fan of Big Mouth, just because I think there are some other really great adult animated shows on Netflix that anyone could enjoy. Lastly, Big Mouth is a popular Netflix animated series that focuses on teens living in suburban New York, exploring what puberty is like and embracing a frankness about sex and the human body with no boundaries. (Image credit: Netflix) Big Mouth (2017-Present)
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